Posted March 11, 2023
Last Sunday I went to the Emerald City Comicon for the express purpose of doing street photography, that is, if “streets” include those on other planets. These events are of course meccas for cosplayers, of which there were dozens, hundreds, and I’ll say right off the bat that the costumes were amazing; I remember them being so from years gone by but if anything the artistry has increased.
I made, in advance, the almost sacrilegious choice to shoot only black-and-white. I know, I know, to shoot these multi-hued creations in black-and-white, to reduce their exquisitely decorative surfaces to a human story, was in many ways to miss the point. But, well, that was my point, and I carried a stubborn pride at being the only one with a black-and-white LCD in a rainbow sea of aimed cellphones and thousand-dollar Sonys with G-Master portrait lenses.
My first target of amazement, though, was the venue itself: the Seattle Convention Center, thoroughly remodeled since my last visit years ago. It’s a five-story space with many vertiginous vistas opening within it: here a central courtyard that seems to fall forever, there a bleacher-wide wooden staircase running uninterrupted from ground to roof, tall windows everywhere, escalator highways ramping through slants of sun or criss-crossing in Escher-like abandon, floating terraces of glass, secret panes overlooking busy rooms below, etc.

All the Way Down

A Hike Under the Stars

Throughput Patterns

Funport USA

Skyway Overpass

Everywhere a Stair Stare

Cafeteria Moderna

Thoughts Are Elsewhere

The View from Faerie

Eyes in the Skybox

Stillness and Motion

Jumbo Scale Lounging
But I was mainly there for the same reason you’re presumably here: to see people in costume! Like I say, there were dozens of them to shoot, left and right, all day long, so many that the unusual became the usual. I had the most fun framing aliens and superheroes walking among nonchalant humans or amid mundane scenes, in other words trying to tell a story. But in many cases I was reduced to simply taking celebratory snaps of the most outrageous or beautiful.

Open Carry Permit

Elf Assured

Your City Is Insignificant

Off Duty

Refugees from Fiction

Spellbinding

Say Brains

Everyday Hero

Spaceport Jetlag

Strange Customer

Greensleeves

Princessly Pout

O Captain

Spiderman!

Friendly Neighborhood Chat

Staff Meeting

Hair Check

Steampunk Rest Stop

What More Could You Want

The Night Is Young

Faerie and Child

No Bones About It

A Fine Appraisal

Meanwhile in the Eyrie

Earth Station, Day One
I was having such a good time—and the show was so large to explore—that I easily wandered straight past lunch hour on no breakfast, and finally I realized I’d taken so many photos of people in costume that I was exhausted by them. So I started to turn my focus more toward the ordinary people at the event, returning to street photography proper, as it were. Believe it or not there were a few of those present too.

Mini Magicians

Backstage Hijinks

Totoroooo

Call of the Wild

All Comers

Bring It On

Onward Brought

Indoor Amusement

Observing, for the Moment

The City Is His

Picture This

Spectatee Seating

The Hell with Convention

Textured Timeout

The Upstairs Lounge

Feast on This

Asleep at the Wall

Partied Out

Resting Up

Scooter
So that was my street photography day at Comicon. I succeeded in not buying anything from the mountains of merchandise available, but came home with a treasure trove of my own, that took me four solid evenings to cull and edit in Lightroom. It makes for a good excuse to inaugurate this blog, indeed an onerous one, as I’m not at all sure I’ll be able to follow it up with anything remotely as entertaining.
I’m not sure how often I’ll be updating this blog. Part of launching this website is to push me back into doing photography, following a layoff period of many months, but it remains true that I have scant free time in which to get out and practice it. For now, of course, it doesn’t matter as no one in the world is likely to notice this blog. Eventually I have plans to “backdate it” by entering old photography outings that I think were fruitful—but I don’t want to do that until I get it running forward in real time a bit.
Well, we’ll see how it goes.